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Mark Hamilton was forced to rethink his work when on lockdown

For Hamilton and his camera, six weeks of restriction become a liberating journey as he captured the light from morning to dusk in his limited surrounds.

In the beginning, he had no plans for four weeks in isolation. All his commercial photography contracts were cancelled. Like 5 million other New Zealanders, his first thoughts were to head home.

“Everything came to a crashing halt.”

It was autumn and one morning he noticed the way the light played through the garage and across the hallway.

“It was really nice,” says Hamilton, and he took some photos.

“I realised I had this time to observe in my surrounds what I would normally walk past, and that this would be a good way to keep myself occupied and connect with the outside world.”

He turned the TV room into a camera obscura and began posting his images online.

“It just fed itself. It was whatever presented itself on the day. Initially it was home, then when I left the house to travel to buy supplies. That was refreshing.”

The restriction of location and equipment became secondary to the freedom of time to explore and document light, and the reflections of time, home and landscape.

“It became the liberation of limitation,” says Hamilton who is about to share the images in an exhibition of the same name at Ramp Gallery, at Wintec School of Media Arts from 31 July – 21 August.

“It happened because I was forced to stop, and that gave me the opportunity to re-evaluate what I do. I now want to make sure I keep it up. As much as I love my work, doing it for myself is so much more fulfilling.”

Commercial photography is bread and butter for Hamilton, but it hasn’t always been his day job.

“I left school at 15 years old to take up a trade and signed up as an electrical apprentice with Central Waikato Electric Power Board.

“It was a good job with a solid company, but after a while, it wasn’t enough.”

He got his first camera in his 20s, but it wasn’t until he was 37 that Hamilton quit his job and enrolled at Wintec to hone his photography skills. In 2000, he graduated with a Bachelor of Media Arts.

The catalyst for his career change came when he lost two friends to cancer.

“I realised how quickly life can change. Who knows what may happen? You just have to do what makes you happy.”

“When I graduated, I had no work. I did weddings for money, I persevered. I dug drains and did anything not to fall back on the work life I knew.

“I got one break and it was an opportunity I will never take it for granted.”

Now he says, the commercial work pays for his personal work

“Commercial photography is directed by a client, but my personal style influences how I see things.”

It has been 20 years since he graduated, but for much of that time he has kept a strong connection to Wintec. For the last few years, as an industry partner, he has taught photography papers for the  Bachelor of Contemporary Art – Photography at Wintec School of Media Arts.

In this time, Hamilton has observed change in the photographer’s landscape. There has been a shift, he says from the focus on taking images for print to a digital world.

“When I started, I was shooting film and there was a perception of this weird alchemy and few people knew the process. Now everyone has a digital camera and that mystery has gone."
Hamilton’s approach to photography is driven by curiosity for his subject, and an ability to convey feeling through light and shadow.

“I sent a comment to a photographer on YouTube recently after he stated, ‘to make a beautiful photograph you have to stand in front of something beautiful’.

“I disagreed and I told him, ‘if you can make an image with emotion and atmosphere even the banal can be beautiful’.”

Now he is back in his studio, back at work, life has returned to a new normal.

“It was nice to be self-indulgent. It has been an interesting year.”

The exhibition, The Liberation of Limitation opens 31 July – 21 August at Ramp Gallery .
Hear Mark Hamilton in conversation with Aimie Cronin in the Ramp Festival 2020 podcast series.

View more of Mark Hamilton's work at

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